Adam Gwon
Adam Gwon is a musical theater writer named one of “50 to Watch” by The Dramatist magazine and hailed “a promising newcomer to our talent-hungry musical theater” whose songs are “funny, urbane, with a sweetness that doesn’t cloy” by The New York Times.
His musicals have been produced on six continents, in more than half a dozen languages. Off-Broadway: Scotland, PA (Roundabout Theatre, Drama Desk Award nomination, NYT Critic’s Pick), Ordinary Days (Roundabout Theatre; Keen Company, Drama League Award nomination, Best Revival), Old Jews Telling Jokes (Westside Theatre, NYT Critic’s Pick). Regional: String (Village Theatre), Cake Off (Signature Theatre, Helen Hayes Award nomination; Bucks County Playhouse), Cloudlands (South Coast Repertory), The Boy Detective Fails (Signature Theatre), Bernice Bobs Her Hair (Lyric Theatre of Oklahoma). West End: Ordinary Days (Trafalgar Studios).
Adam is the proud recipient of the Kleban Award, the Fred Ebb Award, the Richard Rodgers Award, the Frederick Loewe Award, the Second Stage Theatre Donna Perret Rosen Award, the Weston Playhouse New Musical Award, the ASCAP Harold Adamson Award and the MAC John Wallowitch Award, as well as commissions from Roundabout Theatre Company, Playwrights Horizons, Keen Company, Signature Theatre, South Coast Repertory, the Kimmel Center and Broadway Across America. His songs have been heard at Carnegie Hall, Lincoln Center, the Kennedy Center and more, performed by such luminaries as Audra McDonald, Kelli O’Hara and Brian d'Arcy James.
Recordings of Adam's work include the cast album of Ordinary Days (Ghostlight Records), Audra McDonald's Go Back Home (Nonesuch), Artists in Residence (Broadway Records), The Essential Liz Callaway (Working Girl Records), Tracy Lynn Olivera's Because and Over the Moon: The Broadway Lullaby Project (Entertainment One).
Adam has been a fellow at MacDowell, Hermitage Artist Retreat, the O'Neill Music Theater Conference and the Dramatists Guild. He is a graduate of NYU’s Tisch School of the Arts and a member of ASCAP and the Dramatists Guild.
